Symposium: Listening Futures

Macquarie University
7 December 2009

Convenors

Tanja Dreher, Justine Lloyd, Penny O’Donnell, Cate Thill

Invited discussant
Dr Kate Lacey, University of Sussex, UK


Structure:

The symposium will present a series of panels on specific aspects of listening research. Each panel will address the key questions via short papers which will be circulated beforehand, as a sample of work-in-progress for discussion and response by participants.

The symposium’s major aims are to:

  1. Profile emerging listening research in Australia;
  2. Explore theoretical and methodological tools for identifying the character of listening as a component of a mediated political culture and its links with cultural labour;
  3. Encourage future research on listening in cross-cultural and inter-institutional contexts.

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Panel One: The labour of listening

Convenors: Justine Lloyd & Devleena Ghosh

Panellists (TBC): Justine Lloyd (Macquarie), Jo Tacchi (QUT), Ramaswami Harindrath (Melbourne), Aneta Podkalicka (Swinburne)

Starting out from listening does not so much turn the traditional models of media analysis on their head, as to point towards a much-overdue revisioning of the act of listening as cultural work. This in turn asks how we can approach the concrete and finite constraints on the labour of listening within everyday life. This panel will explore how an analysis of listening could tangle with a range of appropriations, reinterpretations and amplifications – that together speaks to the dynamics of conversation — rather than any simple tasking of the individual subject with ‘reception’.

This panel seeks to open up listening’s collective and democratizing energies by addressing questions of cultural politics and production: What disciplines listening? When is listening just play or for ‘pleasure’, and when is it ‘work’? How has listening been problematised — at the same time as it has been facilitated in terms of techniques, pedagogies and technologies? How do the sensory extensions and amplifications of media allow us to listen differently to others and the world?

Suggested readings:

  1. Kate Lacey (2000) ‘Towards a periodisation of listening: Radio and Modern Life’, International Journal of Cultural Studies 3(2), pp 279-288.
  2. Paul Gilroy (2003) ‘Between the Blues and the Blues Dance: Some soundscapes of the black Atlantic’, in The Auditory Culture Reader, ed. M. Bull and L. Back, Berg, Oxford, pp. 381-395.


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Panel Two: Listening and the politics of recognition

Panellists (TBC) Cate Thill (UNDA), Tanja Dreher (UTS), Rosemary Kayess (UNSW), Baden Offord (SCU), Judy Atkinson (SCU), Raewyn Connell (USYD)

This panel examines the relationship between listening and recognition. One of the central concerns of The Listening project so far has been the ways in which listening might address some of the limitations associated with the politics of voice. The argument is that while voice is a condition of possibility for recognition it cannot guarantee that the speaker will be heard. In the context of media and communications, for example, attention to listening and recognition suggests that a redistribution of material resources for speaking/voice is inadequate unless there is also a shift in the hierarchies of attention which determine who and what can be heard. What is at stake in shifting attention from the outcome of recognition to the intersubjective process of listening? How does listening reinforce or challenge existing frameworks for thinking about recognition that distinguish the symbolic from the material? What does a focus on listening add to our thinking about the politics of recognition, and vice versa?

Suggested readings:

  1. Susan Bickford (1996) ‘The Genuine Conditions of Our Lives’, Chapter Five of The Dissonance of Democracy: Listening, Conflict and Citizenship, Cornell University Press, Ithaca and London.
  2. Axel Honneth (2003) ‘Redistribution as recognition: A response to Nancy Fraser’ in N. Fraser and A. Honneth’s Redistribution or recognition: A political-philosophical exchange. Verso, London and New York, pp. 110 – 189.
  3. Nancy Fraser (2008) ‘From Redistribution to Recognition? Dilemmas of Justice in a “PostSocialist” Age’ in Adding Insult to Injury: Nancy Fraser Debates Her Critics, ed. K Olson, Verso, London and New York, pp. 9 – 4.


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Panel Three: Media practice

Convenor Penny O’Donnell

The theme of listening has only sporadically emerged in scholarly work on media reform and cultural democracy from the fields of journalism, media and cultural studies. This panel addresses this gap in two ways. It explores media practices that foreground listening as a means of developing new types of mediated interactions across difference and inequality, including encouraging people to move outside their comfort zones, negotiate power differentials, or engage hostile perspectives. It then examines the ‘practice’ paradigm, with its emphasis on both the practical and symbolic dimensions of media work and use, asking what it offers media academics, practitioners, activists and audiences in terms of shared resources for re-thinking and re-forming social communication.

The panel will explore what it is about media that encourages and/or discourages listening? In what ways, and for what purposes, do media listen as well as talk? How do media practices represent social processes of talking, conversing or arguing across difference and inequality and do these representations promote or inhibit dialogue? How might we develop the concept of journalism as a ‘dialogic institution’?

Suggested readings:

  1. Nick Couldry (2004) ‘Theorising media as practice’, Social Semiotics 14 (2), pp. 115-132.
  2. John J. Pauly (2004) ‘Media Studies and the dialogue of democracy’, in eds. Rob Anderson, Leslie A. Baxter and Kenneth N. Cissna, Dialogue: Theorizing Difference in Communication Studies, Thousand Oaks, Sage, pp. 243-258.


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Background & Further Information:

What is The Listening Project?

The Listening Project is a program of research collaboration that has brought together Australian cultural and media scholars, practitioners and activists interested in the theme of ‘listening’, an emerging international focus in Media Studies and citizens’ media interventions. The Project broadly looks at how habitual critiques of representation and the politics of ’speaking’ (or giving voice to the voiceless) are giving way to investigation of more active possibilities for social inclusion and change based on recognition, dialogic engagement and acceptance.

Members of the project have developed a new area of study through an innovative model of networking, bringing together researchers across a range of disciplines as well as media and cultural producers. Workshops have examined the neglected dynamics of ‘listening’ in diverse theoretical and practical contexts.

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There is more information about the Listening Project on the web:

http://www.thelisteningproject.net/about

We invite you to read the articles included in a recent, special issue of Continuum: Journal of Media & Cultural Studies (Volume 23, Issue 4), dedicated to the theme of Listening.

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Who convenes the activities of the Listening Project?

The convenors are Tanja Dreher, Justine Lloyd, Penny O’Donnell and Cate Thill and the Project Officer is Jan Idle. Juan Valencia is the postgraduate and ECR contact. The workshops have been funded by the ARC’s Cultural Research Network and supported by the Transforming Cultures Research Centre at the University of Technology Sydney and the Centre for Research on Social Inclusion at Macquarie University.

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Who can I contact in case I have further questions?

For more information about the Symposium: Justine.Lloyd@uts.edu.au
For ECR & Postgraduate information: Juan.Valencia@students.mq.edu.au.
Other enquiries: Jan.Idle@uts.edu.au

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The Listening Project acknowledges the support of the Centre for Social Inclusion, Macquarie University and the Transforming Cultures Research Centre, University of Technology, Sydney.

Transforming Cultures Research CentreMacquarie Faculty of Arts

ARC Cultural Research Network

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